Introduction: Nestled in the heart of Northern Thailand, Chiang Mai is renowned for its rich cultural tapestry and vibrant festivals. One of the most enchanting and captivating celebrations is the Lantern Festival, also known as Yi Peng. This annual event transforms the night sky into a breathtaking canvas of lights and carries profound cultural significance. Join us as we delve into the magic and beauty of Chiang Mai's Lantern Festival.

The Origin and Tradition: The Lantern Festival in Chiang Mai is deeply rooted in Thai tradition and Buddhist customs. Celebrated on the full moon night of the twelfth lunar month, usually in November, it coincides with Loy Krathong, the festival of lights. This dual celebration creates a mesmerizing spectacle as thousands of lanterns and krathongs (decorated floating baskets) are released into the rivers and skies, symbolizing the letting go of negativity and making wishes for the future.

The Glowing Lanterns: The highlight of the Lantern Festival is the release of thousands of Khom Loi, or floating lanterns, into the night sky. These lanterns, traditionally made from rice paper and bamboo, are illuminated from within by a small flame. As the hot air fills the lantern, it gracefully ascends into the sky, creating a celestial display of floating lights. The collective release of lanterns symbolizes the release of worries and the pursuit of positive energy.

Yi Peng Parade and Cultural Performances: The festival kicks off with a vibrant and colorful parade through the streets of Chiang Mai. Locals and visitors alike participate in the procession, showcasing traditional Thai costumes, dance performances, and cultural displays. The parade adds a lively and festive atmosphere to the city, setting the stage for the magical night ahead.

Wishing Rituals: Participating in the Lantern Festival offers a unique opportunity for visitors to partake in traditional wishing rituals. Before releasing a lantern, individuals often inscribe their hopes, dreams, and prayers onto the lantern's surface. Whether it's a personal wish for good fortune, happiness, or prosperity, the act of releasing a lantern becomes a deeply spiritual and communal experience.

The Spiritual Essence: Rooted in Buddhist philosophy, the Lantern Festival carries spiritual significance. The act of releasing lanterns symbolizes the release of negative energy, letting go of the past, and embracing new beginnings. It's a time for reflection, gratitude, and setting positive intentions for the future. The serene ambiance created by the soft glow of lanterns against the night sky fosters a sense of peace and mindfulness.

Chiang Mai's Scenic Beauty: Beyond the cultural and spiritual aspects, the Lantern Festival allows visitors to witness the beauty of Chiang Mai at its finest. The city's historic temples, such as Wat Phan Tao and Wat Chedi Luang, serve as picturesque backdrops for the glowing lanterns. The reflection of illuminated lanterns on the waters of the Ping River adds an extra layer of enchantment to the festivities.

Environmental Considerations: In recent years, there has been increased awareness about the environmental impact of lantern releases. As a response to these concerns, some events now feature lanterns with biodegradable materials and electric lights, reducing the ecological footprint of the celebration while preserving its cultural essence.

Conclusion: Chiang Mai's Lantern Festival is a magical convergence of tradition, spirituality, and visual splendor. As lanterns gracefully ascend into the night sky, carrying the hopes and dreams of countless individuals, the city becomes a canvas for collective aspirations. For those fortunate enough to witness this spectacle, the Lantern Festival in Chiang Mai is an experience that transcends the ordinary, leaving an indelible mark on the heart and soul of every participant.

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āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸāļ—āļĩāđˆāļ™āđˆāļēāļ—āļķāđˆāļ‡āđƒāļ™āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆ: āļ‹āļīāļĄāđ‚āļŸāļ™āļĩāļ‚āļ­āļ‡āđāļŠāļ‡āđāļĨāļ°āļ„āļģāļŦāļ§āļąāļ‡

āļšāļ—āļ™āļģ: āļ•āļąāđ‰āļ‡āļ­āļĒāļđāđˆāđƒāļˆāļāļĨāļēāļ‡āļ āļēāļ„āđ€āļŦāļ™āļ·āļ­āļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļ—āļĻāđ„āļ—āļĒ, āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļĢāļđāđ‰āļˆāļąāļāļāļąāļ™āļ”āđ‰āļ§āļĒāļ›āļĢāļ°āļ§āļąāļ•āļīāļĻāļēāļŠāļ•āļĢāđŒāđāļĨāļ°āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ—āļĩāđˆāļ­āļļāļ”āļĄāļŠāļĄāļšāļđāļĢāļ“āđŒ. āļŦāļ™āļķāđˆāļ‡āđƒāļ™āļ‡āļēāļ™āđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡āļ—āļĩāđˆāļ™āđˆāļēāļŦāļĨāļ‡āđƒāļŦāļĨāđāļĨāļ°āļ™āđˆāļēāļ—āļķāđˆāļ‡āļ—āļĩāđˆāļŠāļļāļ”āļ„āļ·āļ­ āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸ, āļŦāļĢāļ·āļ­āļ—āļĩāđˆāđ€āļĢāļĩāļĒāļāļ§āđˆāļē āļĒāļĩāđˆāđ€āļ›āđ‡āļ‡. āļ‡āļēāļ™āļ›āļĢāļ°āļˆāļģāļ›āļĩāļ™āļĩāđ‰āļ—āļģāđƒāļŦāđ‰āļ—āđ‰āļ­āļ‡āļŸāđ‰āļēāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ āļēāļžāļ§āļēāļ”āļ‚āļ­āļ‡āđāļŠāļ‡āļŠāļ§āļĒāļ‡āļēāļĄāđāļĨāļ°āļĄāļĩāļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ—āļēāļ‡āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ­āļąāļ™āļĨāļķāļāļĨāļąāļš. āļĢāđˆāļ§āļĄāđ€āļĢāļēāđƒāļ™āļāļēāļĢāļŠāļģāļĢāļ§āļˆāđ€āļ§āļ—āļĄāļ™āļēāđāļĨāļ°āļ„āļ§āļēāļĄāļ‡āļ”āļ‡āļēāļĄāļ‚āļ­āļ‡ āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸ āđƒāļ™āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆ.

āļāļģāđ€āļ™āļīāļ”āđāļĨāļ°āļ›āļĢāļ°āđ€āļžāļ“āļĩ: āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸāđƒāļ™āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆāļĄāļĩāļĢāļēāļāļāļēāļ™āļĨāļķāļāđƒāļ™āļ›āļĢāļ°āđ€āļžāļ“āļĩāđ„āļ—āļĒāđāļĨāļ°āļ˜āļĢāļĢāļĄāļŠāļēāļ•āļīāļžāļļāļ—āļ˜. āļ–āļđāļāļ‰āļĨāļ­āļ‡āđƒāļ™āļ„āļ·āļ™āļ§āļąāļ™āđ€āļžāđ‡āļāđ€āļ”āļ·āļ­āļ™āļŠāļīāļšāļŠāļ­āļ‡ āļ—āļĩāđˆāļĄāļąāļāļ•āļĢāļ‡āļāļąāļš āļĨāļ­āļĒāļāļĢāļ°āļ—āļ‡, āđ€āļ—āļĻāļāļēāļĨāļ‚āļ­āļ‡āđāļŠāļ‡āđ„āļŸ. āļāļēāļĢāļ‰āļĨāļ­āļ‡āļ„āļđāđˆāļ™āļĩāđ‰āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđāļŠāļ”āļ‡āļ—āļĩāđˆāļĒāļ­āļ”āđ€āļĒāļĩāđˆāļĒāļĄāđ€āļĄāļ·āđˆāļ­āđ‚āļ„āļĄāđ„āļŸāđāļĨāļ°āļāļĢāļ°āļ—āļ‡āļŦāļĨāļēāļĒāļžāļąāļ™āļĨāļđāļāļ–āļđāļāļ›āļĨāđˆāļ­āļĒāļĨāļ‡āļ™āđ‰āļģāđāļĨāļ°āļŠāļđāđˆāļ—āđ‰āļ­āļ‡āļŸāđ‰āļē, āđāļŠāļ”āļ‡āļ–āļķāļ‡āļāļēāļĢāļ›āļĨāđˆāļ­āļĒāļ—āļīāđ‰āļ‡āļ„āļ§āļēāļĄāļĨāļģāļšāļēāļāđāļĨāļ°āļāļēāļĢāļŠāļĢāđ‰āļēāļ‡āļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļēāļŠāļģāļŦāļĢāļąāļšāļ­āļ™āļēāļ„āļ•.

āđ‚āļ„āļĄāđ„āļŸāļ—āļĩāđˆāļŠāļ§āđˆāļēāļ‡: āđ€āļ™āđ‰āļ™āļ—āļĩāđˆāļŠāļģāļ„āļąāļāļ‚āļ­āļ‡ āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸ āļ„āļ·āļ­āļāļēāļĢāļ›āļĨāđˆāļ­āļĒāđ‚āļ„āļĄāđ„āļŸāļŠāļĩāļĨāļ­āļĒāļ—āļ°āđ€āļĨāļ­āļ­āļāđ„āļ›āđƒāļ™āļ—āđ‰āļ­āļ‡āļŸāđ‰āļēāđƒāļ™āļ„āđˆāļģāļ„āļ·āļ™. āđ‚āļ„āļĄāđ„āļŸāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰, āļ—āļĩāđˆāļ—āļģāļˆāļēāļāļāļĢāļ°āļ”āļēāļĐāļ‚āđ‰āļēāļ§āđāļĨāļ°āđ„āļĄāđ‰āđ„āļœāđˆāļ•āļēāļĄāļ›āļĢāļ°āđ€āļžāļ“āļĩ, āđ„āļ”āđ‰āļĢāļąāļšāđāļŠāļ‡āļˆāļēāļāļ āļēāļĒāđƒāļ™āļ”āđ‰āļ§āļĒāđāļāđ‰āļ§āđ€āļĨāđ‡āļ āđ†. āđ€āļĄāļ·āđˆāļ­āļ­āļēāļāļēāļĻāļĢāđ‰āļ­āļ™āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāđ‚āļ„āļĄāđ„āļŸ, āļĄāļąāļ™āļˆāļ°āļ‚āļķāđ‰āļ™āđ„āļ›āļ—āļĩāđˆāļ—āđ‰āļ­āļ‡āļŸāđ‰āļēāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āđˆāļēāļ‡āļēāļĄ, āļŠāļĢāđ‰āļēāļ‡āļāļēāļĢāđāļŠāļ”āļ‡āļ‚āļ­āļ‡āđāļŠāļ‡āļ—āļĩāđˆāļĨāļ­āļĒāđ„āļ›. āļāļēāļĢāļ›āļĨāđˆāļ­āļĒāđ‚āļ„āļĄāđ„āļŸāļĢāļ§āļĄāļāļąāļ™āđāļŠāļ”āļ‡āļ–āļķāļ‡āļāļēāļĢāļ›āļĨāđˆāļ­āļĒāļ—āļīāđ‰āļ‡āļāļąāļ‡āļ§āļĨāđāļĨāļ°āļāļēāļĢāļĄāļ­āļšāļžāļĨāļąāļ‡āļšāļ§āļ.

āļ‚āļšāļ§āļ™āđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ: āļ‡āļēāļ™āđ€āļĢāļīāđˆāļĄāļ•āđ‰āļ™āļ”āđ‰āļ§āļĒāļ‚āļšāļ§āļ™āļ—āļĩāđˆāļŠāļ”āđƒāļŠāđāļĨāļ°āļŠāļ”āđƒāļŠāļœāđˆāļēāļ™āļ–āļ™āļ™āļ‚āļ­āļ‡āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆ. āļŠāļēāļ§āļšāđ‰āļēāļ™āđāļĨāļ°āļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āđ„āļ”āđ‰āļĢāđˆāļ§āļĄāļāļąāļ™āđƒāļ™āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ”āļīāļ™āļ‚āļšāļ§āļ™, āđ‚āļŠāļ§āđŒāļŠāļļāļ”āđ„āļ—āļĒāļ—āļĢāļ‡āđ€āļŠāļ·āđ‰āļ­āļ—āļĢāļ‡āļāļĢāļ°āđ‚āļ›āļĢāļ‡, āļāļēāļĢāđāļŠāļ”āļ‡āđ€āļ•āđ‰āļ™, āđāļĨāļ°āļāļēāļĢāđāļŠāļ”āļ‡āļĻāļīāļĨāļ›āļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄ. āļ‚āļšāļ§āļ™āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļ­āļĒāļēāļāļ­āļēāļĒāđāļĨāļ°āđ€āļ•āđ‡āļĄāđ„āļ›āļ”āđ‰āļ§āļĒāļšāļĢāļĢāļĒāļēāļāļēāļĻāļ‚āļ­āļ‡āļ‡āļēāļ™āđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡.

āļžāļīāļ˜āļĩāļāļēāļĢāļĨāļ‡āļ„āļģāļŦāļ§āļąāļ‡: āļāļēāļĢāđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄ āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸ āđƒāļŦāđ‰āđ‚āļ­āļāļēāļŠāļžāļīāđ€āļĻāļĐāđƒāļŦāđ‰āļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āđ€āļ‚āđ‰āļēāļĢāđˆāļ§āļĄāđƒāļ™āļžāļīāļ˜āļĩāļāļēāļĢāļĨāļ‡āļ„āļģāļŦāļ§āļąāļ‡āļ—āļēāļ‡āļ”āđ‰āļēāļ™āļ§āļīāļ–āļĩ. āļāđˆāļ­āļ™āļ—āļĩāđˆāļˆāļ°āļ›āļĨāđˆāļ­āļĒāđ‚āļ„āļĄāđ„āļŸ, āļšāļļāļ„āļ„āļĨāļšāļēāļ‡āļ„āļ™āļĄāļąāļāļˆāļ°āđ€āļ‚āļĩāļĒāļ™āļ„āļģāļŦāļ§āļąāļ‡, āļ„āļ§āļēāļĄāļāļąāļ™, āđāļĨāļ°āļāļēāļĢāļ­āļ˜āļīāļĐāļāļēāļ™āļĨāļ‡āļšāļ™āļœāļīāļ§āļ‚āļ­āļ‡āđ‚āļ„āļĄāđ„āļŸ. āđ„āļĄāđˆāļ§āđˆāļēāļˆāļ°āđ€āļ›āđ‡āļ™āļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļēāļŠāđˆāļ§āļ™āļ•āļąāļ§āļ—āļĩāđˆāļ”āļĩ, āļ„āļ§āļēāļĄāļŠāļļāļ‚, āļŦāļĢāļ·āļ­āļ„āļ§āļēāļĄāļĢāļļāđˆāļ‡āđ‚āļĢāļˆāļ™āđŒ, āļāļēāļĢāļ›āļĨāđˆāļ­āļĒāđ‚āļ„āļĄāđ„āļŸāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļēāļ‡āļˆāļīāļ•āļ§āļīāļāļāļēāļ“āđāļĨāļ°āļŠāļļāļĄāļŠāļ™.

āļ™āļīāļĢāļĄāļīāļ•āļˆāļīāļ•āļ§āļīāļāļāļēāļ“: āđ€āļŠāļ·āđˆāļ­āļĄāđ‚āļĒāļ‡āļāļąāļšāļ›āļĢāļąāļŠāļāļēāļžāļļāļ—āļ˜, āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸ āļĄāļĩāļ„āļ§āļēāļĄāļŠāļģāļ„āļąāļāļ—āļēāļ‡āļˆāļīāļ•āļ§āļīāļāļāļēāļ“. āļāļēāļĢāļ›āļĨāđˆāļ­āļĒāđ‚āļ„āļĄāđ„āļŸāđāļ—āļ™āļāļēāļĢāļ›āļĨāđˆāļ­āļĒāļ—āļīāđ‰āļ‡āļžāļĨāļąāļ‡āļĨāļš, āļāļēāļĢāļ›āļĨāđˆāļ­āļĒāļ—āļīāđ‰āļ‡āļ­āļ”āļĩāļ•, āđāļĨāļ°āļāļēāļĢāļĒāļ­āļĄāļĢāļąāļšāđ€āļĢāļ·āđˆāļ­āļ‡āđƒāļŦāļĄāđˆ. āđ€āļ›āđ‡āļ™āđ€āļ§āļĨāļēāđƒāļ™āļāļēāļĢāļžāļīāļˆāļēāļĢāļ“āļē, āļ‚āļ­āļšāļ„āļļāļ“, āđāļĨāļ°āļ•āļąāđ‰āļ‡āđ€āļˆāļ•āļˆāļģāļ™āļ‡āļ—āļēāļ‡āļšāļ§āļāļŠāļģāļŦāļĢāļąāļšāļ­āļ™āļēāļ„āļ•. āļšāļĢāļĢāļĒāļēāļāļēāļĻāļŠāļ‡āļšāļ—āļĩāđˆāđ€āļāļīāļ”āļˆāļēāļāđāļŠāļ‡āđ‚āļ„āļĄāđ„āļŸāļ—āļĩāđˆāļŠāļ§āđˆāļēāļ‡āļ‚āļķāđ‰āļ™āđƒāļ™āļ—āđ‰āļ­āļ‡āļŸāđ‰āļēāļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ—āļĩāđˆāļ­āļĒāļđāđˆāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļŠāļ‡āļšāđāļĨāļ°āļāļēāļĢāļĄāļĩāļŠāļ•āļī.

āļ„āļ§āļēāļĄāļ‡āļēāļĄāļ‚āļ­āļ‡āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆ: āļ—āļĩāđˆāđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸ āļ™āļ­āļāļˆāļēāļāļ›āļĢāļ°āđ€āļžāļ“āļĩāđāļĨāļ°āļ”āđ‰āļēāļ™āļˆāļīāļ•āļ§āļīāļāļāļēāļ“, āļĒāļąāļ‡āļŠāđˆāļ§āļĒāđƒāļŦāđ‰āļ™āļąāļāļ—āđˆāļ­āļ‡āđ€āļ—āļĩāđˆāļĒāļ§āđ„āļ”āđ‰āļĢāļđāđ‰āļˆāļąāļāļ„āļ§āļēāļĄāļŠāļ§āļĒāļ‡āļēāļĄāļ‚āļ­āļ‡āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆāđƒāļ™āļĢāļđāļ›āđāļšāļšāļ—āļĩāđˆāļ”āļĩāļ—āļĩāđˆāļŠāļļāļ”. āļ§āļąāļ”āđ€āļˆāļ”āļĩāļĒāđŒāļŦāļĨāļ§āļ‡āđāļĨāļ°āļ§āļąāļ”āļžāļąāļ™āđ€āļ•āļē āđ€āļ›āđ‡āļ™āļžāļ·āđ‰āļ™āļŦāļĨāļąāļ‡āļ—āļĩāđˆāļŠāļ§āļĒāļ‡āļēāļĄāļŠāļģāļŦāļĢāļąāļšāļāļēāļĢāļ›āļĨāđˆāļ­āļĒāđ‚āļ„āļĄāđ„āļŸ. āļāļēāļĢāļŠāļ°āļ—āđ‰āļ­āļ™āļ‚āļ­āļ‡āđ‚āļ„āļĄāđ„āļŸāļ—āļĩāđˆāđāļŠāļ‡āļŠāļ§āđˆāļēāļ‡āļĨāļ‡āļ™āđ‰āļģāļžāļ·āđ‰āļ™āļ™āđ‰āļģāđāļĄāđˆāļ™āđ‰āļģāļ›āļīāļ‡āđ€āļžāļīāđˆāļĄāļ„āļ§āļēāļĄāļŠāļ§āļĒāļ‡āļēāļĄāđƒāļŦāđ‰āļāļąāļšāļ‡āļēāļ™āđ€āļ‰āļĨāļīāļĄāļ‰āļĨāļ­āļ‡.

āļāļēāļĢāļžāļīāļˆāļēāļĢāļ“āļēāđ€āļĢāļ·āđˆāļ­āļ‡āļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄ: āđƒāļ™āļ›āļĩāļŠāļļāļ”āļ—āđ‰āļēāļĒ, āļĄāļĩāļāļēāļĢāđ€āļžāļīāđˆāļĄāļāļēāļĢāļ•āļĢāļ°āļŦāļ™āļąāļāđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāļĨāļāļĢāļ°āļ—āļšāļ—āļēāļ‡āļŠāļīāđˆāļ‡āđāļ§āļ”āļĨāđ‰āļ­āļĄāļˆāļēāļāļāļēāļĢāļ›āļĨāđˆāļ­āļĒāđ‚āļ„āļĄāđ„āļŸ. āđ€āļžāļ·āđˆāļ­āļ•āļ­āļšāļŠāļ™āļ­āļ‡āļ•āđˆāļ­āļ„āļ§āļēāļĄāļāļąāļ‡āļ§āļĨāđ€āļŦāļĨāđˆāļēāļ™āļĩāđ‰, āļšāļēāļ‡āļāļīāļˆāļāļĢāļĢāļĄāļ•āļ­āļ™āļ™āļĩāđ‰āđƒāļŦāđ‰āđ‚āļ„āļĄāđ„āļŸāļ—āļĩāđˆāļ—āļģāļˆāļēāļāļ§āļąāļŠāļ”āļļāļ—āļĩāđˆāļŠāļēāļĄāļēāļĢāļ–āļĒāđˆāļ­āļĒāļŠāļĨāļēāļĒāđ„āļ”āđ‰āđāļĨāļ°āđ„āļŸāļŸāđ‰āļē, āļĨāļ”āļĢāļ­āļĒāļžāļīāļĐāļ—āļēāļ‡āļ™āļīāđ€āļ§āļĻāļ™āđŒāļ‚āļ­āļ‡āļ‡āļēāļ™āļ‰āļĨāļ­āļ‡āđƒāļ™āļ‚āļ“āļ°āļ—āļĩāđˆāļĒāļąāļ‡āļĢāļąāļāļĐāļēāļ§āļąāļ’āļ™āļ˜āļĢāļĢāļĄāļ‚āļ­āļ‡āļ‡āļēāļ™āđ€āļ­āļēāđ„āļ§āđ‰.

āļŠāļĢāļļāļ›: āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸāđƒāļ™āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆāđ€āļ›āđ‡āļ™āļāļēāļĢāļĢāļ§āļĄāļ•āļąāļ§āļ‚āļ­āļ‡āļ›āļĢāļ°āđ€āļžāļ“āļĩ, āļˆāļīāļ•āļ§āļīāļāļāļēāļ“, āđāļĨāļ°āļ„āļ§āļēāļĄāļŠāļ§āļĒāļ‡āļēāļĄāļ—āļēāļ‡āļŠāļēāļĒāļ•āļē. āđ€āļĄāļ·āđˆāļ­āđ‚āļ„āļĄāđ„āļŸāļ‚āļķāđ‰āļ™āđ„āļ›āļ—āļĩāđˆāļ—āđ‰āļ­āļ‡āļŸāđ‰āļēāļ­āļĒāđˆāļēāļ‡āļŠāļ‡āđˆāļēāļ‡āļēāļĄ, āļ—āļģāđƒāļŦāđ‰āđ€āļĄāļ·āļ­āļ‡āļāļĨāļēāļĒāđ€āļ›āđ‡āļ™āļ āļēāļžāļ§āļēāļ”āļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ›āļĢāļēāļĢāļ–āļ™āļēāļ‚āļ­āļ‡āļ—āļļāļāļ„āļ™. āļŠāļģāļŦāļĢāļąāļšāļœāļđāđ‰āđ‚āļŠāļ„āļ”āļĩāļ—āļĩāđˆāđ„āļ”āđ‰āđ€āļŦāđ‡āļ™āļ™āļīāļ—āļĢāļĢāļĻāļāļēāļĢāļ™āļĩāđ‰, āđ€āļ—āļĻāļāļēāļĨāđ‚āļ„āļĄāđ„āļŸāđƒāļ™āđ€āļŠāļĩāļĒāļ‡āđƒāļŦāļĄāđˆāđ€āļ›āđ‡āļ™āļ›āļĢāļ°āļŠāļšāļāļēāļĢāļ“āđŒāļ—āļĩāđˆāđ€āļĨāļīāļĻāļĨāđ‰āļģāđ€āļŦāļ™āļ·āļ­āļ„āļ§āļēāļĄāļ˜āļĢāļĢāļĄāļ”āļē, āļ—āļīāđ‰āļ‡āļĢāđˆāļ­āļ‡āļĢāļ­āļĒāļ—āļĩāđˆāļĨāļķāļāļĨāļ‡āđƒāļ™āđƒāļˆāđāļĨāļ°āļ§āļīāļāļ